Self Portrait explores the relationship between traditional masks, digital identity and physical fabrication. Developed for a digital arts festival in Jerusalem, the installation considers how the cultural role of the mask changes as self-expression moves between physical and virtual worlds. The project uses computational design and robotic fabrication to translate digital forms into an installation of layered transparent surfaces. Facial proportions and spatial reference points become inputs for an algorithm, generating new forms and expressions. Fabrication introduces a further layer of interpretation: material behaviour and unexpected variations alter the precision of the digital model. The resulting work examines the exchange between code and matter, intention and uncertainty, and the identities we construct through both.